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桑火尧

SANG HUOYAO
桑火尧

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桑火尧,当代艺术家。中国艺术研究院艺术创作指导委员会委员,中国画院副院长,国家一级美术师。境象主义艺术的创导者。清华大学吴冠中艺术研究中心研究员。作品被中国美术馆、上海美术馆、浙江美术馆、广东美术馆、今日美术馆等重要机构收藏,并被中国杭州G20峰会主会场永久收藏陈列。现工作生活于北京。

桑火尧先生从1998年以来探索方块叠加艺术创作方法以及境象主义艺术观。中国当下多位著名批评家都曾著文评述过。纵观桑火尧的艺术创作,基本可以归结为以下几点:一是“方块叠加”方法论,成为其明确的作品身份识别符号。其多年以来探索中国画笔墨叙事方式,颠覆了传统笔墨程式,方块笔墨叠加已经成为他的艺术符号和自我身份符号,并由此构成衍生不同图式、不同系列的作品。方块符号是基于周易卦象和中国古代文字造型的形式意义,而笔墨叠加则是汲取北宋米家山水的积叠方法。二是当代科技与传统哲学激荡下的境象主义艺术观,让传统在当下激活。当下科技、互联网的虚拟世界的想象的无限性,成就了其作品空灵虚淡的主调性,而这又与老庄哲学观,亦与以元代倪云林为代表的文人艺术静逸空旷气质相契合。可以说,科技与互联网技术,让一切显得无限可能性,也深刻影响着中国当代人的审美意识,由此也拉近了与西方抽象艺术的审美解读距离,让中国水墨续接未来、进入国际成为可能。三是作品中的灵光视感充满了当代人对重塑信仰的期待。社会现代化进程,在人与人、人在与科技的博弈中,往往会显得十分孤独寂寞,人们更需要精神关怀,心灵抚慰。而其作品中的光感具有神圣感和崇高感,仿佛进入了宗教的境域,让人充满希望、倍感宁静和愉悦。

作为中国重要的水墨艺术家,桑火尧的这种以方块为基质的抽象性笔墨语言建构,既有别于中国传统的意象艺术,又与西方的抽象艺术拉开距离,这就是他创导的境象主义艺术,拓展了水墨艺术的当代性表达。这种具有美术史价值的创造,显然是其艺术探索的价值所在。不仅得到学术界的重视,其作品也已多次上拍于香港苏富比等国际重要拍卖机构。

Sang Huoyao is an important contemporary ink artist from China. A member of the Artistic Committee of the China Academy of Art, he is also the Vice President of the Chinese Imperial Art Academy, and a National First-Level artist. Born in 1963, he graduated from the China Academy of Art in Chinese art with a master's degree. He is also the creator of 'Jing-Xiang' conceptual art. Adding to this multi-varied background is also his experience as a researcher in the 'Wu Guanzhong Research Center" in Tsinghua University. His works have been acquired by the National Art Museum of China, the Shanghai Art Museum, Zhejiang Art Museum, Guangdong Art Museum, as well as the Today Art Museum in Beijing. They can also be found at the venue of the G20 Hangzhou Summit under long term display. His paintings have been auctioned by various important auction houses, including Sotheby's Hong Kong. He now lives and works in Beijing.

Sang Huoyao has been experimenting with the superimposition of translucent colour blocks since the start of 1998. Many famous art critics in China have written past reviews about his art works. The scope of his experimentation has also won the admiration and appreciation of internationally renowned scholar Michael Sullivan and the well-respected artist Wu Guanzhong. The oeuvre of Sang Huoyao at its core is comprised of a few elemental aspects: the first is the superimposition of colour blocks, which has progressively become the identifying symbols of his art. Over the many years of research and investigation into the narrative element of Chinese ink, through the process of subverting the paradigm of traditional ink, the superimposition of colour block has already become a trademark of his oeuvre and a self-identifying symbol. This gives rise to a novel schema, and a different series. First, the symbol of the square is intrinsically linked to the shape of ancient Chinese characters, while the superimposition of squares has its roots in the 'stacking' style of the Mi Family landscape painting from the Song Dynasty. Second, contemporary technology and traditional philosophy has precipitated a new artistic perspective of 'jing xiang', which allows for the vitality of tradition in this present time. The limitless potential for imagination that contemporary technology and the virtual world has made possible is represented by the ethereal emptiness of his work. This in turn reflects the philosophical tenet of Zhuang Zi, as well as the tranquil and quiet temperament of Yuan Dynasty literati art, represented by artists like Ni Yunling. It can be said that the coming together of technology and the virtual world has made everything seem potentially limitless, and this has also impacted the sense of aesthetics for contemporary Chinese. At the same time, it has bridged the gap of aesthetic understanding for Western abstract art, allowing Chinese ink an olive branch into the future, raising the possibility of entry into the international arena. Thirdly, the visual brilliancy of the art works reflects the hope and anticipation of the contemporary age in the remodelling of beliefs. With the modernization of society, people and their interaction with technology often appears to be marked with solitude and loneliness. As such, they are in greater need than ever of spiritual and emotional support. The luminosity of the paintings exudes a sense of divinity and sublimity, like a locale of holiness, filling people with hope, tranquillity, and joy.

With the color blocks as the matrix of the art work, an abstract brushwork language as its structure, and a 'jing xiang' art work that is rooted in Chinese tradition, Sang Huoyao's oeuvre is, at the same time, distant from Western abstract art. 'Jing Xiang' is a unique and contemporary expression of Sang Huoyao, an artistic creation imbued with art historical value which lies within its spirit of exploration.

2018年
个展:
新加坡MOCA当代美术馆“桑火尧——境象主义作品展”(新加坡);
群展:
异同&共生——“16+1”中国·中东欧当代艺术展(保加利亚 索菲亚);
贵点艺术空间“新现代水墨艺术宣言展”(中国 北京);
中国美术馆“第四届中国画院双年展”(中国 北京);
潍坊博物馆“开启与攀越——中国现代水墨研究展”(中国 潍坊);
2018年
Solo Exhibition:
Museum of Contemporary Art MoCa Singapore < Sang Huoyao – Jing Xiang Exihibition>;
Group Exhibitions:
Sofia, Bulgaria;
G-dot Art Space, Beijing ;
National Art Museum of China, Beijing ;
Wei Fang Museum, Wei Fang, China ;
2017年
个展:
中国美术馆“混沌——桑火尧境象主义作品展”(中国 北京);
弘川现代艺术博物馆“诗意的相遇一一桑火尧作品展巡展”(中国 青州);
潍坊博物馆“诗意的相遇一一桑火尧作品展”(中国 潍坊);
寿光市美术馆“桑火尧水墨精品大展”(中国 寿光);
北京复言社画廊主办“心界一一桑火尧作品1/2展”(中国 北京);
群展:
人可艺术中心主办“开放的天空”(中国 杭州);
北京雅达文化艺术中心主办“江左风华——乌镇当代艺术展”(中国 乌镇);
深圳e当代艺术馆主办“天外天——国际当代艺术展”(中国 深圳);
海南三亚当代艺术馆主办“国际当代艺术展”(中国 海南);
2017年
Solo Exhibition:
National Art Museum of China, Beijing ;
Hong Chuan Museum of Modern Art, Qingzhou, China ;
Wei Fang Museum, Wei Fang, China ;
Shouguang Museum, Shouguang, China ;
Fuyan Commune Gallery, Beijing ;
Group Exhibitions:
Renke Artistic Center, Hangzhou ;
Beijing-Jakarta Art and Cultural Center, Wuzhen, China ;
Shenzhen Museum Of Contemporary Art, Shenzhen, China ;
Sanya Museum of Contemporary Art, Hainan, China ;
2016年
个展:
温州年代美术馆主办“桑火尧与史蒂芬对话展”(中国 温州);
人可艺术中心主办“桑火尧与罗斯科:色度在呼吸”(中国 杭州);
北京复言社画廊主办“时间的棱——桑火尧个展”(中国 北京);
群展:
3812画廊主办“心境3——当代艺术联展”(中国 香港);
东京画廊主办“第四届新朦昽主义群展”(中国 北京);
中国美术馆“2015-2016中国艺术研究院艺术创作大展”(中国 北京);
今日美术馆主办“2015-2016中国当代水墨年鉴展”(中国 北京);
上海玉衡画廊主办“私信力:当代水墨群展”(中国 上海);
北京EGG画廊“四元色——中国当代艺术四人展”(中国 北京);
四川峨眉“第一届当代国际艺术展”(中国 峨眉山);
方块作品在“中国杭州G20峰会”主会场展出,并永久收藏(中国 杭州) ;
2016年
Solo Exhibition:
Wenchou Epoch Art Museum, Wenchou, China ;
Renke Art Gallery, Hangzhou, China ;
Fuyan Commune Gallery, Beijing ;
Group Exhibitions:
3812 Gallery, Hong Kong ;
Tokyo Art Gallery, Beijing ;
National Art Museum of China, Beijing <2015 – 2016 Chinese National Academy of Arts | The Arts Creation Exhibition>;
Today Art Museum, Beijing <2015 – 2016 Chinese Contemporary Ink Art Annual Exhibition>;
Shanghai Alioth Art Center, Shanghai ;
Beijing EGG Art Gallery, Beijing ;
Sichuan Emei, Emei, China ;
Color Block Art Works in Hangzhou G20 Summit Main Conference Hall under long term collection, Hangzhou, China;
2015年
个展:
上海玉衡画廊主办“境象一一桑火尧个展”(中国 上海);
恒庐美术馆主办“云端一一桑火尧作品展”(中国 杭州);
群展:
北京亚洲艺术中心“中国色”(中国 北京);
南京国际展览中心“第二届南京国际美术展”(中国 南京);
北京中间美术馆“水墨演义——中国当代水墨国际巡展”(北京 布鲁塞尔芝加哥);
上海明圆当代美术馆“虚薄之境一一对画:山水与风景”(中国 上海);
意大利佛罗伦萨国际当代艺术双年展“艺术与城市主题展”并获绘画类金奖(意大利 佛罗伦萨);
2015年
Solo Exhibition:
Alioth Art Gallery, Shanghai ;
Henglu Art Museum, Hangzhou ;
Group Exhibitions:
Beijing Asia Arts Center, Beijing, China ;
Nanjing International Exhibition Center, Nanjing, China ;
Beijing Inside Out Art Museum | Beijing, China; Brussels, Belgium; Chicago, America ;
Shanghai Ming Yuan Art Center, Shanghai, China ;
Italy Florence International Contemporary Biennale, Florence, Italy Recipient of Gold Award in Painting;
2014年
个展:
上海华氏画廊主办“桃花江上——一桑火尧境象水墨作品展”(中国 上海);
人可艺术中心主办“在湖上一一桑火尧2014境象新作展”(中国 杭州);
群展:
南京先锋当代艺术中心“游心虚淡——新水墨邀请展”(中国 南京);
索卡艺术中心“空寒与默化——中国当代水墨联展”(中国 台北);
江苏美木馆“水墨新语一一新水墨联展”(中国 南京);
2014年
Solo Exhibition:
Hwa's Gallery, Shanghai ;
Renke Artistic Center, Hangzhou ;
Group Exhibitions:
Avant-Garde Contemporary Art Center, Beijing ;
Soka Art Center, Taipei ;
Jiangsu Art Museum, Nanjing, China ;
2013年
个展:
广东美术馆主办“境象主义——桑火尧作品展”(中国 广州);
群展:
索卡艺术中心“新诗意一一中国当代水墨艺术展”(中国 台北);
三尚艺术馆“中国册页——当代水墨艺术国际巡展”(中国 美国 英国 澳大利亚 香港 澳门);
2013年
Solo Exhibition:
Guangdong Museum, Guangzhou, China ;
Group Exhibitions:
Soka Art Center, Taipei ;
Sanshang Art Center | China, America, United Kingdom, Australia, Hong Kong, Macao ;
2012年
个展:
上海美术馆主办“境象——桑火尧作品展”(中国 上海);
群展:
获第七届AAC艺木中国·年度影响力——水墨类10家(中国 北京);
今日美术馆主办亚州当代艺术群展(中国 北京);
上海新水墨艺术大展——墨测高深展(中国 上海);
忆江南一一中国当代艺术展(中国 上海);
台湾美术馆亚州当代艺术展(中国 台湾);
2012年
Solo Exhibition:
Shanghai Art Museum ;
Group Exhibitions:
Beijing, China;
Today Art Museum, Beijing ;
Shanghai New Ink Art Exhibition, Shanghai, China < A New Spirit in Ink>;
, Shanghai, China;
National Taiwan Museum of Fine Arts, Taiwan ;
2011年
个展:
今日美术馆主办“境遇游——桑火尧个展”(中国 北京);
群展:
竹林七贤获第六届AAC艺术中国·年度影响力一一装置多媒体类10家(中国 北京);
荷兰当代艺术馆亚州当代艺术联展(荷兰 阿母斯特丹);
墨・界一一当代艺术展(中国 上海);
威尼斯双年展平行展(意大利 威尼断);
上海海平线艺术展(中国 上海);
2011年
Solo Exhibition:
Today Art Museum, Beijing ;
Group Exhibitions:
Seven Sages in Bamboo Forest, Beijing ;
Holland Contemporary Art Museum, Holland, Amsterdam ;
Shanghai, China;
Venice, Italy;
Sealine Art Exhibition, Shanghai, China;
2010年
个展:
台北索卡艺术中心主办“境象——桑火尧个展”(中国 台北);
群展:
中国美术家协会“全国中国画作品展”获唯一奖项优秀奖(中国 北京);
中国美术家协会“中国美术学院主办第七届青年陶艺作品双年展”(中国 杭州);
索卡艺术中心“这里有光——杭州当代艺术展”(中国 台北);
2010年
Solo Exhibition:
Beijing Soka Art Centre ;
Group Exhibitions:
China Artist Association | Recipient of Top Excellence Prize at China National Wide Art Exhibition, Beijing;
China Artist Association ;
Soka Art Center, Taipei ;
2009年
个展:
義之堂/索卡艺术中心联办“半日闲情一一桑火尧境象个展”(中国 台北);
群展:
中国美术家协会“全国第七届体育美术作品展”(中国 济南);
“第十届全国美展”浙江展区优秀奖(中国 杭州);
2009年
Solo Exhibition:
Yizhi Hall / Soka Art Centre
;
Group Exhibitions:
China Artist Association ;
Recipient of Tenth National Zhejiang Excellence Award, Jinan, China;
2008年
群展:
中国国家画院“融·聚——全国中国画学术邀请展”(中国 北京);
中国国家画院“水墨本味——2008当代中国画名家学术邀请展”(中国 北京);
2008年
Group Exhibitions:
China Academy of Art, Beijing ;
China Academy of Art, Beijing;
2007年
群展:
俄罗斯中国文化节“水墨中国艺术展”(俄罗斯 莫斯科);
2007年
Group Exhibitions:
Russian-China Cultural Festival, Moscow, Russia ;
2006年
群展:
第七届中国艺术家作品展(中国 杭州);
2006年
Group Exhibitions:
Seventh Chinese Artist's Works Exhibition, Hangzhou, China;
  • 2010年 中国美术家协会全国中国画作品展获唯一奖项优秀奖;
  • 2009年 第十届全国美展浙江展区优秀奖(中国 浙江);

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